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I still think of her that way, but now I have to think of her as senior editor-at-large at Linked In. So it’d be really easy to write it off, but the truth is that most Linked In members ... Who are coming to the service every day, they don’t have that. I remember, that was the one that I was like, “Oh, this is amazing.” You have this summary of the news, layoffs at Space X, and then you have six or seven conversations that have been tacked to it that include people who have been laid off and the experience there. You get the smattering of first-person sources that I, as a journalist in my career, would have to go out and search for actively. Fortune’s a more writerly magazine as far as style.
Seventeen years, and thank you for saying I was really good at it. And certainly that wasn’t me, but I did have a good, economically fine-enough career as a long-form journalist, and I loved it. And I worked at Condé Nast, and when I began in my career, Condé Nast felt to me like the place that you aim for. The point was, it was supposed to be this amazing citadel of media power, which it was, up until, I don’t know, 10 years ago? Well, of a certain type of influence, it continues to be a dominator. But there was this moment for me — and it happened slowly, it wasn’t an all-at-once moment — where I realized, I looked ahead and I said, “Well, I do this thing I love now, but what’s next for me here? Yeah, the getting in the room part is the thing that has always interested me, not for the status of it, but like, I want to know how it works. I want to know what the people said, not when they’re onstage but behind the stage, or offstage. But, so, there Steven and I were, running this long-form magazine on Medium’s software inside of Condé Nast. I mean, I know they do a thing with claps, and we all make jokes about getting a lot of claps, but to me that seemed like a tack-on thing that you put on to sort of facilitate distribution, and latch on to some of the things that had made Facebook and Twitter work. And then, too, why pay Jessi Hempel instead of getting the readers to do it for free, which is also something they do? I’m going to talk to those questions in the order that you asked them. There are tons of just job posting sites and sites that do that very well. Well, Linked In has several businesses, but they all stem back to that.
You can go directly and talk to these people about it.” Are you writing about different kinds of things than you would have at Wired or Medium, and/or are you changing the way you approach the story given that you have a different audience, or maybe just an audience that you can talk to? Then when I, obviously, when I went from Fortune to Wired, I went from writing for primarily a business audience to writing for ... So, are you actively thinking about that as you’re writing, as you’re editing, as you’re picking a story topic? More so than I would have otherwise, because I’m also getting the feedback from my audience. I mean, Peter, what do you think about supervoting shares? Why has the Valley collectively decided that that is a good thing to give a young founder?
Like, I’m pretty obsessed with our Japanese Daily Rundown right now because I’m learning a lot about how news consumption works in different countries. They don’t change all the time from market to market, but just the interaction with and the reason for the conversations and the way that they’re playing out in different markets is really interesting to me. The democracy part is a whole other issue, and I don’t think the market is going to fix democracy, right? Totally, and that’s not a problem that I’m equipped to know how to solve. They needed a follow-up, too, and it’s not what I thought you were go with. I remember visiting one large company, and being inside its AI research and development lab, and they showed me this bot that basically did a child’s school report for her, and you could put in “spotted owls” and it would deliver you all the information in the world on spotted owls. Right, and it’s like it really is kind of scary to go down that road. It’s one of those amorphous problems, like global warming, where you’re like, oh, my God, this problem is so large, it probably doesn’t matter if I recycle my yogurt container, because how could that possibly help? That’s super gratifying, I’m assuming, because “I wrote something, and not only people read it, but there was so much commentary, and so much thought-provoking discussion that I made a second thing based on that.” Yeah. Sometimes I’ll just, I mean, well, in the old days at least, I would just, if someone wrote me a really interesting note, I’d say, “Can I publish this? They’ll do a better job, and also it’s easier for me to post. I was thinking more of sort of, well, what is Facebook going to do to NBC or Disney or the New York Times, and how will the New York Times distribute their stuff?